Planet Of The Apes Movies - All You Need To Know
Planet of the Apes is a science fiction film, book, television series, comic book, and other media property set in the future where humans and intelligent apes fight for dominance in a world where humans and apes live in peace. The series is inspired by the 1963 book La Planète des singes by French novelist Pierre Boulle, often known as the Planet of the Apes or Monkey Planet. Planet of the Apes, a 1968 film adaption, was a critical and financial success, spawning a slew of sequels, tie-ins, and derivative works. Arthur P. Jacobs, via APJAC Productions, produced the first five Planet of the Apes films for 20th Century Fox, and Fox has owned the brand since his death in 1973.
From 1970 through 1973, Beneath the Planet of the Apes, Escape from the Planet of the Apes, Conquest of the Planet of the Apes, and Battle for the Planet of the Apes was released as sequels to the first film. They didn't get the same critical praise as the original, but they performed well financially, generating two television series in 1974 and 1975.
Before Tim Burton's Planet of the Apes was released in 2001, plans for a cinematic remake languished in "development hell" for almost 10 years. Rise of the Planet of the Apes launched a reboot film series in 2011, which was followed by Dawn of the Planet of the Apes in 2014 and War for the Planet of the Apes in 2017. Despite a combined budget of $567.5 million, the films have earned nearly US$2 billion worldwide. Franchise tie-ins include video games and toys, as well as additional storylines in different media.
The handling of racial problems in Planet of the Apes has piqued the interest of cinema reviewers. The film's Cold War and animal rights themes have also been addressed by filmmakers and cultural critics. The following films, media, and art, as well as popular culture and political debate, have been inspired by the series.
The series started with Pierre Boulle's book La Planète des singes, published in 1963. Boulle wrote the book six months after being inspired by the "humanlike expressions" of gorillas at the zoo to think about the human-ape connection.
La Planète des singes were strongly inspired by fanciful travel tales from the 18th and 19th centuries, particularly Jonathan Swift's satirical Gulliver's Travels. It is one of several works by Boulle that use science fiction tropes and plot devices to comment on human nature's flaws and mankind's overreliance on technology, though Boulle refused to call his genre "science fiction" and instead called it "social fantasy."
The novel is a satire that follows Ulysse Mérou, a French journalist who joins a voyage to a distant planet where speechless, animalistic humans are hunted and enslaved by an advanced ape society. The ape species are divided into three categories: gorillas are cops, chimps are scientists, and orangutans are politicians. Mérou eventually learns that humans previously ruled the world, but that their complacency enabled the more resourceful apes to usurp them.
The primary theme of the tale is that human intellect is a fluid property that may deteriorate if taken for granted. Despite becoming a success, Boulle regarded the book to be one of his lesser works. It was translated into English by British novelist Xan Fielding and released in the United Kingdom as Monkey Planet and in the United States as Planet of the Apes.
It is the third installment in the reboot trilogy, and it is the most thrilling, ambitious, and disturbing of the three. While incoming director Matt Reeves warns that the time for monkeying around is gone, performance-capture technology advances to new heights.
This is most evident when Koba (Toby Kebbell), a temperamental competitor to Caesar (Andy Serkis), transforms tomfoolery into horror, declaring war on humanity with a single blast of his automatic rifle. It's a hairy, frightening situation.
The musical A Fish Called Selma, which was included in The Simpsons episode A Fish Called Selma, gets an honorable mention.
This show has everything! "exclaims Bart, and he's right: breakdancing apes, brilliant lyrics ("I detest every ape I see/From chimpanzee to chimpanzee," and Troy McClure as Heston singing You'll Never Make a Monkey Out of Me in front of the Statue of Liberty.
In the Channel 4 comedy Black Books, Bernard (Dylan Moran) exclaims, "Amazing effects." "You actually thought monkeys could get together and hold meetings?" But it's the shocking conclusion, in which Charlton Heston conducts some impromptu Manhattan sightseeing, that cements the original film's legacy for all time.
Although all of the Planet of the Apes films are gloomy, this one takes the cake in the 1970s cycle. The "lousy human bastards" are overthrown by enslaved apes headed by Caesar (series regular Roddy McDowall).
The film's references to real-world racial conflicts are not diminished by shoddy makeup or a tacked-on optimistic conclusion.
Caesar as Christ and/or Moses clashes with a crazed Kurtz-style Colonel in the toughest episode yet (Woody Harrelson).
The intense combat sequences elevate this to the status of a full-fledged war film, which may explain the small drop in box office receipts. It was also the only summer blockbuster that was primarily set in a labor camp.
The surprise of the Planet of the Apes is that the first installment of the new trilogy is really very good.
The unsettling moment when laboratory apes begin covertly communicating with one another in sign language, and the dramatic final confrontation on the Golden Gate Bridge, are the highlights.
After the surprising success of its predecessor, 20th Century Fox sent scriptwriter Paul Dehn a message that said, "Apes exist. "There must be a sequel." What was his brilliant solution? Three apes are catapulted through a time warp and returned to Earth by shockwaves from Beneath's cataclysmic finale, arriving before the events of the original film.
The original film's budget was half, and the spectacle was drastically reduced. The only episode of the original series without McDowall, it also relegates Heston to a secondary position, introduces bomb-worshipping mutants, and concludes with the world being destroyed.
There are a lot of anti-war implications in this film.
It's difficult to argue with Mark Wahlberg, the hero of Tim Burton's drab, uninspired adaptation, when he says, " didn't get the screenplay right." Following a promising opening hour in which Tim Roth, Helena Bonham Carter, and Paul Giamatti shine as apes, the film abandons metaphor in favor of mindless action, culminating in a futile effort to out-twist the original finale.
This sequel follows the chimpanzee Caesar years after a worldwide nuclear war has devastated human civilization, and is told as a flashback to the early twenty-first century with a wraparound scene narrated by the orangutan Lawgiver in "North America – 2670 A.D." Caesar builds a new civilization with his wife, Lisa, and their son, Cornelius while attempting to maintain peace between the apes and the surviving humans. A violent gorilla commander called Aldo opposes Caesar and wants to jail the humans who freely wander Ape City while doing menial work.
Caesar wonders whether his own parents might have taught him how to make things better after defusing Aldo's followers who assaulted a human instructor for saying "No" to apes. MacDonald, Caesar's human aide and younger brother of MacDonald (from Conquest of the Planet of the Apes), tells Caesar that his brother informed him about the archival video of Cornelius and Zira from the previous film's Forbidden City, which is now radioactive. To locate the archives, Caesar goes to the Forbidden City with MacDonald and his orangutan adviser Virgil.
It is revealed that the city is home to deformed and radiation-scarred humans who are commanded by Governor Kolp, the man who previously kidnapped Caesar. Before they are forced to leave by Kolp's troops, Caesar and his group watch his parents' records, learning about the future and Earth's ultimate annihilation. Caesar shares his findings, fearful that the mutated humans would assault Ape City. Aldo takes the gorillas away as Caesar summons MacDonald and a small number of humans to the meeting.
Ape City is discovered by Kolp's scouts. Kolp launches war on Ape City, believing Caesar is going to exterminate all mutant humans, despite his aide Méndez's efforts to persuade him otherwise. In order for the gorillas to seize power, Aldo plans a coup d'état. Cornelius hears from a nearby tree but is severely injured when Aldo sees him and uses his sword to cut off the tree limb he is on.
After a gorilla scouting pair is attacked by Kolp's troops the following day, Aldo takes advantage of a mourning Caesar's absence to have all humans rounded up and the armory looted. Cornelius ultimately succumbs to his wounds, shocking Caesar by revealing that Cornelius was not harmed by humans.